MIDI Controller Updated · v2

I bought a dedicated MIDI controller. I capitulated to the lure, the artists yearning, the insatiable feeling deep down in one’s gut that nudges us all towards the black hole of equipment investment. 

It was the itch.

Look, the keyboard was not an expensive purchase. But neither is it a toy. It is merely a very basic and simple twenty-five key plug-and-play input device that has piano ivories (instead of numbers and letters.) MIDI controllers make no sound of their own, rather sending electronic signals to another device like my laptop and act as if I was typing musical notes. It’s a musical instrument-shaped interface for a computer, and a kind of soft synthesizer.

Creativity is sometimes about logically unjustifiable exploration and investment.

I am far from an expert on keyboard technology.

If you had asked me a year ago what I knew about musical keyboards I would have told you there were, um, pianos …and electronic pianos …and—I am reluctantly admitting here that I hadn’t been paying much attention after that point. 

Also, I quite enjoy synth music.

Growing up we didn’t have a real piano or a fancy digital one and we definitely did not have a synth. We had a bog standard department store brand electronic keyboard with a couple dozen built in digital instruments. In our house now, my wife has (because it is hers from before we were married) a pretty nice digital piano in her office, and then a little over a decade ago we acquired a small upright piano, too, which sits in our kitchen and serves little other purpose than to remind the family of a decade of The Kid doing her piano lessons. In other words, the concept of a bed of black and white keys that makes sounds? That was pretty clear in my head. But I’m no expert.

What I was, rather, was curious.

For myself, those pianos were never quite what I wanted… what I was craving, musically speaking. I would noodle and try to learn the basics, of course, but it the tools I had access to never scratched the itch that I was feeling in my musical soul.

Curiosity untethered to practicalities can lead to expensive places. It is the aforementioned equipment black hole. I have seen countless videos online where the recording studio is a room overflowing with more tools and toys than I could hope to accumulate if I were to work at it for the rest of my life as a full time job. These people are not wrong in chasing new investments in their hobby, of course. It is curiosity that brought most of them there. It is that itch to find the next thing that is going to satisfy the creative urge.

We all do it, too. Photographers buy lenses. Artists buy brushes. You should see my mother-in-law’s quilt fabric collection. 

I recently came across the example of Trigger^[1], Willie Nelson’s famous guitar. “There are instruments older than Trigger, but few guitars have logged as many playing hours in a lifetime, and Nelson plays hard.” That is to say, there are a lucky few who find their tool and cling to it without variation. I’m sure Mr. Nelson owns more curious equipment add-ons and eclectic musical do-dahs than most, but famously he is a one-instrument musician. But now the important question: Did he get there on the first try? Or did it take him experimentally buying and upgrading and testing and tossing?

I first went down the synthesizer rabbit hole in early 2025. A proper synth is more than a piano keyboard that makes funny sounds. And it is arguably better than a MIDI controller plugged into the software on my laptop. Rather it is a dedicated instrument engineered to generate and manipulate sounds with electrical hardware, and for which a piano-style keyboard is merely a comfortable and familiar user interface. The one I bought one rainy day that spring was my first synth, and I’d be lying if I told you that I’ll settle for it as my last…well for any other reason than budget. I’d love to buy a selection of them and dabble and poke and play and experiment. I’d love to fall into that equipment black hole until I find my Trigger. 

The new MIDI controller is another step around that circle. I own a small keyboard controller to interface with the synth software on my computers, and I am learning more about how it all works with each visit to this world of music and sound …and most importantly, a new personal exploration of audio creativity. I am searching for something that I won’t know until I find it. It is a search for the scratch for that itch.