Tag: new tools

  • Tools Troubles

    Fellow Canadian Marshall McLuhan told the world that the medium is the message[1], and I have long taken that to mean that it is as valuable to study the tools and techniques as the final product if we are ever to understand the whole.

    The artist can easily get lost in the tools, though. Photographers can bang on about their camera specs. Writers can wax poetic about their favourite keyboards. And musicians these days it seems are just as apt to post content about the subtle tonality differences between brands of violin strings as share their music.

    Yet, creativity is and always be an intimacy with the tools and techniques. The art and the mechanisms that enable it are inseparable and interwoven as two things can be. 

    Maybe that’s why we get hung up on the medium and the message and often confuse the effort to concentrate on them both with the attention they deserve. 

    Or maybe I just like writing about my toys and I am going to devote some space on this blog to share my thoughts about keyboards, cameras and violin strings. It wouldn’t be the first time, after all.

    Under the category of Tools & Troubles, I’lll be writing more on this topic as the months wear on.

  • Go Board 

    About a year ago I started getting advertisements for a neat little writing setup called a distraction-free word processor. There were a couple varieties, but usually they were little more than a cheap little keyboard attached to a simple screen and marketed as a “this device does one thing” tool. It was intended to keep distractible writers on task by removing the allure of all the other apps on our computers and phones.

    I didn’t buy one.

    But I did realize that the idea itself is solid, and if implemented in other ways has a secondary and perhaps more important benefit.

    For my own version, I bought a small, lightweight bluetooth keyboard, tethered a small phone stand to the wrist strap (yes, my keyboard has a wrist strap) and I keep it handy when I go out to run errands or on travel jaunts or am just playing dad’s taxi. 

    It is not only about eliminating distractions, but it also becomes about casual convenience and opportunity. 

    I am sitting in a cafe right now writing this on my portable setup while I wait for an appointment. I could have brought my computer but I didn’t want to lug it around all morning. I could have brought a book, but why read when I can write? I went light, and then realized I had both time to kill …and a keyboard in my car.

    In this case the distractionlessness is secondary to the opportunity to create—and to create on the go.

    I’m not selling anything here except the idea that the best creative tool is the one you have ready when you are ready and able to create something. A sketchbook in your pocket. A camera on your phone. A keyboard in the glovebox of your vehicle.

    You might think that a simpler and more convenient tool is not going to showcase your best work, but when the alternative is making nothing at all I would argue that making something in the moment is better than having the best tools and never having them around when opportunity strikes.

  • MIDI Controller

    I broke, and I finally bought a dedicated MIDI controller.

    It was not an expensive one. Nor is it a toy. It is, rather, a very basic and simple twenty-five key computer keyboard that has piano ivories instead of numbers and letters. It makes no sound of its own. It just sends electronic signals to another device, as if I was typing musical notes.

    If you had asked me a year ago what I knew about musical keyboards I would have told you there were pianos …and electronic pianos …and—I am reluctantly admitting here that I hadn’t been paying much attention after that point. 

    I like synth music, and growing up we didn’t have a real piano or a fancy keyboard, but rather a simple department store brand electronic synth with a couple dozen built in instruments. In our house now, my wife has (because it is hers from before we were married) a pretty nice digital piano in her office, and a little over a decade ago we acquired a small upright piano, too, which sits in our kitchen and serves little other purpose than to remind me of a decade of the kid doing piano lessons. But, the concept of a bed of black and white keys that makes sounds? That was pretty clear in my head.

    For myself, those pianos were never quite what I needed. What I was craving, musically speaking.

    Instead, I went down the synthesizer rabbit hole a little over a year ago now and learned that a proper synth is more than a piano keyboard that makes funny sounds, but rather a way to generate and manipulate sounds with electrical or digital tools, and for which a piano-style keyboard is merely a comfortable and familiar user interface. 

    Now I’ve gone full circle. I own a small keyboard controller to interface with the synth software on my computers, and I am learning more about how it all works with each visit to this world of music and sound …and most importantly, a new personal exploration of audio creativity.