Loop Jamming

by BRAD SALOMONS

I have merely been jamming. Exploring. Feeling my way through the tools…


Have you noticed that the advice on the internet rarely leans into imperfection.

Very few people are writing tutorials about how to just have fun.

If you have been reading this blog you will long since know that my creative adventures into 2026 have swirled around creating music. I have played an instrument for forty years, but stretched my musical explorations more and more for just the last decade, taking up the violin about ten years ago, joining a community orchestra, and lately getting into synth-based audio explorations on my own. I’m a novice, but one with a big range: a large puddle, but not one that goes very deep—if you take my meaning.

In attempting to deepen that knowledge I have been seeking instruction, often online, and what I find is that most everything leans into the idea that the end goal must be perfect: polished, honed and uniformly refined to gold standard. 

For example, I have been looping: recording layered loops of sound (and noise) and voice and rhythm into all manner of interesting audio recordings. Some of them I’ve been publishing as a kind of podcast on this very site. They are rough. They are gritty. They have sharp edges. They are imperfect.

Yet according to every piece of advice online my work has no value unless I strive for perfect.

Use a DAW.

Quantize your tracks.

Set up your recording booth just so.

Imperfection is the enemy… apparently.

But I don’t want that: I have merely been jamming. Exploring. Feeling my way through the tools and making things that echo with a kind of imperfect delight in their moment of creation. 

So here’s a piece of advice online: strive for imperfect, too. After all, it’s human.

Terms FROm this POSt

blog
I admit, I am pretty old. And I started posting formatted words and photos online before the word blog had entered the common lexicon. Most people work in the medium of social platforms these days, but being both a product of my time and a stickler for content ownership and control, I still lean into and promote the idea that the blog (a content managed general purpose personal website) is the beating heart of the internet I once knew and loved.
synth
Often mistaken for a piano, especially in my house where my spouse reminds me that we already have two pianos and I don’t need a third, synths are electronic sound engines that shape primitive audio waveforms through a various processes either analog or digital for which the result is a unique pitched “note” often “discovered” by the artist, and a form of musical instrument that has become the basis of many modern forms of music.
value
I use this word a lot on this site but I’m not always referring to cash money. There are many ways to find value in something: emotional, nostalgia, spiritual, environmental, social, and countless other personally meaningful ways. I do find the assumption that everything always comes down to coins in the pocket, but that might just be being disappointed with spending fifty years watching the capitalism struggle to deliver on anything meaningfully human.
violin
I write here quite a lot about the violin. It is exactly what you think: that four stringed wooden instrument with the distinctive curved body shape. Played well it is tuned to the range of the human voice, so it often haunts our hearts and reminds us of singing. I have been playing since 2016 when I took it up as an adult student, but one who could already read music. I can play, but the quality to which I aspire is something I will work on for the rest of my life.

Brad Salomons is a time traveller and intergalactic secret agent for hire. He writes blogs about technology, creativity and life between gigs.

Loop Jamming