Tag: meta monday

If you found this tag you may have noticed that I wrote a blog post for each of the main chapters of the site. For a span of time every Monday post was about one of those top level topics, posted in order.

  • Inside Outside

    What is creativity anyhow? I’ve been writing this blog for over eight months now and I don’t think I’ve actually sat down and written a proper definition—but is that even possible?

    Is it a good thing to be creative? Is it natural or purposeful—or maybe just an unserious pursuit?

    It’s curious though: my social media feed has picked up on the idea that I’m interested in the topic and so routinely it is peppered with bursts of commentary on creative lifestyles, both positive and negative. 

    And with many questions, I think maybe the negative jabs shine a brighter light on understanding the notion.

    Your results may vary, but my received negativity seems to shine through that little screen and mock the very idea of a middle aged guy trying to do art, learn an instrument, or write a novel. The universe, it often seems, finds the notion of artistic expression little more than a privileged extravagance for those less serious among us. 

    Why am I not feeding the gaping maw of capitalistic pursuit? Why am I not spending time earning or investing or consuming? Why am I telling stories and taking photos?

    None of this is a thing I can answer in one post, but I do know that creativity is not an idle excuse to avoid something “real” or “productive” but rather—and for most every self-defined creative person I know—foundational to who they are. It is who we are. It is the shape of our soul and the way we meet the world each day.

    All the rest of it is the mask we wear.

    Under the category of Inside & Outside I’ll be writing more on this topic as the months wear on.

  • Broken Bewildered

    The universe is messy, and to some of us that’s the most interesting part.

    We live in a world far too impressed by perfection. In my opinion, we want too much newness. We overvalue mint condition. The concept of new-in-box might be ideal if one is buying underwear, but the scuffs and stains and cracks and creases in a vintage sweater might be the very thing that gives it character.

    I bought my violin eight years ago and I was not the first owner. I bought it at a shop that sold exclusively old violins. There is a label inside that says it was built in Germany in 1929. That violin is ninety-seven years old and has travelled the world, traversed history, and been held by more hands than I can imagine. It has a story.

    There is a concept in Japanese called wabi-sabi (侘び寂び) or roughly defined, the embracing of the imperfection of an object, maybe because the scars and cracks and rough edges tell a story.

    Perfection and newness is a commercial trait, not a human one, I think.

    Decay and error are hallmarks of life and humanity.

    As an artist I think about how to put my own humanity into the things I make: my art and my stories are richer, I think, when imperfection gives them an edge and the perception of something deeper than the vibe of boring manufactured aesthetics. 

    There are layers to beauty.

    Under the category of Broken & Bewildered I’ll be writing more on this topic as the months wear on.

  • Exist Deny

    When I was in middle school I would have told you with absolute conviction that I was going to be a famous published author by the time I was twenty-five.

    In a few short months I’ll be twice that age and neither published nor famous.

    Nuances of that pipe dream aside, having found myself firmly in the middle of middle age and midlife, I can’t help but also look both forward and back as I recognize this deep and urgent need to make something that matters.

    I’m sure we all stumble upon this kind of existential crisis sooner or later, and while some might sooth that thirst with a fancy car or a quirky hobby or a dangerous liaison, there are more than a few of us who look at middle life as a moment to evaluate our creative output and try to get our minds around how to adjust its trajectory for a rapidly decreasing timeframe.

    I don’t have the first real clue towards a solid answer, if I’m being honest, but I do have a lot of questions and even more thoughts on the matter. Maybe you have some of the same questions.

    Under the category of Exist & Deny  I’ll be writing more on this topic as the months wear on.

  • Past Present

    Over and over I stumble across advice for creativity.  Heck, it’s the basis of this blog, isn’t it? Here’s what has worked for me, for others, for everyone else in the past, present and certainly will do in the future, too.

    Right?

    And the smart money, the guy who wants this site to be successful and to captivate you and to hold your attention would tell you that there are answers buried inside if you read deeply enough.

    The honest guy would tell you that creativity is just like any other job. You get out what you put in, and the effort pays off when you do the work.

    The fuzzy spaces between, though, are filled with an endless doubting void that slurps up every bit of advice, superstition, ritual, inspiration, and randomness distilled from the universe as possible.

    I’m just the guy sitting here telling you to embrace that uncertainty.

    Look at the advice.

    But also find your own way.

    Do the work.

    But embrace the chaos.

    Dig into ideas that shift your mind, body, and soul to new perspectives.

    But ride the efforts of a billion people who have gone this way before you.

    Under the category of Past & Present, I’ll be writing more on this topic as the months wear on.

  • Science Politics

    I spent four of my years of post-secondary education studying for (and receiving) a bachelors degree in biological sciences. I studied molecular biology, genetics, and a bit of ecology, cellular biology, botany, and entomology blurred into that mix. 

    I got a job doing computer stuff and never really looked back.

    But you don’t spend four intensive years studying the methods and tools of science without it changing how you look at the world. And it definitely changed how I look at the world.

    Now I find myself right here… and in this moment: we exist in this highly charged political time, a time when truth and reality are constantly being questioned. 

    One half of my very soul and identity often seem political and running against the grain of the populist movements that shape our news each day.

    I figure I could choose to reject it, go against all that I know and understand, or I can do what I’ve always done and embrace it—use it as the backbone to what I make, how I engage with the other half of my soul and identity: the creative artistic writer guy.

    Here I am.  Take it or leave it.

    Science, rational evidence-based thought, and critical thinking are part of who I am, what I make and how I engage with both sides of my personality. 

    Under the category of Science & Politics, I’ll be writing more on this topic as the months wear on.