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  • Doodling Inspiration, two

    (Continued from Doodling Inspiration)

    Once I get past the idea of seeking quality in my art, I often find that doodling is a kind of meditative randomness that drives me creatively.

    Doodling is different than drawing, of course. Drawing and sketching in my mind implies an external subject, and turning what one sees into lines and colour on the page. Sketching is the act of replacing a camera with a bit of ink or pencil lead. 

    Doodling, on the other hand, is the freedom of the pen on paper to explore shapes and express notions that are mere thoughts in our own heads. It is generative. It is creation from ideation into shape and form upon a blank canvas. It is something from the intangible and ineffable. It is an outlet for our deepest minds to express themselves. 

    I have been re-reading The Origin of Consciousness in the Breakdown of the Bicameral Mind by Julian Jaynes[1], a controversial book of pop psychological theory that speculates that consciousness arose from the conversation that happens inside our own minds between the two lobes our our brain. 

    Whether you buy it or not, its central premise of Jaynes’ book relies on the notion of two plus two equalling five: or that is to say, that the union of two things is often more than the sum of its parts. 

    In as much as my doodles combine with my fiction writing to make more than the sum of their parts, a mental creative union of something perhaps just as curious and interesting as consciousness itself, no?

  • Creative Positive, two

    (Continued from Creative Positive)

    I need to routinely remind myself that every time I don’t post something positive in my feed it leaves a gap for something negative to slip in and take up the space I left for it.

    The darkness is insidious. It is sweet like raw sugar upon the tongue, lighting up our emotions with an ability to draw us in and feast upon our time and energy.

    You may be reading these words—all of them, the blog and every post and every image and all the adjacent works of public performative creativity that goes on around it—and pondering the purpose. 

    I have a hundred reasons to write and create and sketch and make and build and do interesting things. But I have a very short list of reasons to share: it is, yes, about money and brand and fame, of course it is, it always is—but it is also about balance. It’s about holding my little patch of digital ground against the darkness. 

    It is about creating human-made ideas and sharing them into the ocean of slop.

    It is about being a net-positive in an electronic sea of rage.

    It is about finding the good of the world and launching it back into the universe for something bigger than myself.

    So long as I have hope that the world still needs something bigger and brighter than the dim shadows of this societal chasm we seem to be traversing I will get up each morning and try my best to find something positive to make …and share.

  • Post Haste

    I’m going to let you peek behind the curtain for a moment and remind you that sometimes creativity is smoke and mirrors, too.

    Truth is, I write these words weeks in advance of you reading them.

    Writing a daily blog is not always just about the dedicated day-after-day work of coming up with new ideas and then sitting down at a keyboard. Rather, sometimes it’s about working smarter and planning ahead. Sometimes it’s about organization and staging and schedules. Sometimes it’s a business plan.

    You want a life skill? You want to be better at a desk job? You want to get into a corporate strategic mindset? You want to learn how to get stuff done on a schedule? Oh, you can read about it in a textbook or download a course on business planning. 

    But might I suggest that you try instead a big creative project.

    Make a weekly web comic that demands you create on a schedule and manage a website.

    Join a band and try to release a demo that involves scheduling, promotion and technical skills.

    Write a novel that insists on long term strategic planning and holding big scope ideas in your head.

    I write these posts sometimes weeks in advance and try to keep between five and ten in my publication queue. Not only does that save me from rushing to write something on topic on every busy morning, but it gives me time to edit and hone and shuffle and plan out how I am making this site.

    It’s strategy. It’s planning. It’s bigger.

    And it’s more than creativity: it’s resume fodder, too.

  • Banger Trap

    If there was a simple and obvious way to credit the ephemeral wisdom of random video clips that pass through ones feed in the middle of an evening doom-scroll session I might write the exact coordinates when and where this particular term crossed my screen. 

    The notion of a “banger trap” pinned down something that I had been thinking about a lot lately as I scrolled through the endless posts by countless technically excellent photographers posting their best works.

    All of those pictures of perfectly lit sunsets and amazingly hued mountain scapes and perfectly focussed wildlife glamour shots were technically awesome. Amazing. Aspirational and skilled.

    And yet they made me feel almost nothing.

    I scrolled and scrolled and scrolled and my mind was on repeat saying: yup, yup, seen it, yup, lovely, yup, yup…

    They are all very skilled photographers and will likely have successful careers selling their talent and their banger content. But after seeing the same perfect photos more times than I can count and the abundance of kudos and praise? Well, it strikes me that it starts to seem like little more than a factory product, mass produced and polished.

    Instead?

    Show me something real. Show me life. Show me imperfection. Show me something I see everyday in a different way that gives me a new perspective on the mundane. Show me more than perfect.

    I get it. Showcasing our technical best work is a calling card of skill and experience, but it’s also a trap: a snare line upon which it is easy to trip and snag, that the banger is the ultimate and final stage of making great art. 

    Because I don’t think it is.

  • Knots Blocks

    How does one go about unlearning what society probably taught us about talent?

    I know from personal experience that almost everything I believe about what it means to be good at something is wrapped up in an expectation from an audience: an employer, a customer, a friend, or even a parent (reaching right back to the beginning.)

    As I write this blog and parse out the various topics I want to explore I realize that I have already written a lot about those very expectations and how to first recognize them and then later prioritize how much heed they should be offered.

    Even as I was sitting down to write this I had just come off a few moments of drinking some tea and scrolling through my social media feed. My favourite feed these days is a collection of photographers promoting their work. And yet noting just how rigid the conformity is within the confines of that feed has been nagging at something in my mind. Every post is some glamorously lit epic nature scene or a broody black and white bit of urban street photography or a smiling family squared into the frame with a rustic backdrop to set the mood. Kudos abounded for those posts because, yes, they were solid works of technical skill—but also, maybe, perhaps because they fit into a mold of social expectation and consumer value. 

    Are those guideposts for other to follow? Or is there something mundane lurking in aligning creative outputs with social expectations? 

    Under the category of Knots & Blocks, I’lll be writing more on this topic as the months wear on.