8 Clicks from Nowhere Productions

Tag: creative explorations

Chapter List

  • Fifty Walks

    As I write these posts and use this blog as a weekday creativity exercise I am approaching fifty.

    (Don’t ask me! I don’t know how that happened either. I certainly don’t feel so old.)

    Many of my running friends mark milestones in age with a race distance to match. For me that would me running a fifty kilometre race before I roll over the odometer on my age. It is not necessarily impossible, but as I have informally stepped away from such long races (a post for another blog) it does not seem a good fit. 

    Instead, I have opted to celebrate and commemorate by trying to do fifty walks before I turn fifty.

    Loosely structured, those walks will follow a couple rules: they must be of a certain distance, need to contain something I would consider “exploration” and also they should present me with an opportunity to create. What this will almost always and usually mean is that I will be walking a photo expedition.

    I used to do these photo expeditions, as I called them, quite frequently: camera charged and ready, I would just go out into the suburban wilderness near where I live and snap hundreds of photos. No rules. No restrictions. No checklist. No forcing myself into boxes. Just taking photos for the sheer joy of exploring the craft.

    Some of my best pictures and much of my best learning happened when the only goal was fresh air and having an open mind to opportunity.

    Maybe what I’m really hoping to achieve with rekindling my long walks this summer isn’t so much about the walks but finding fifty opportunities to take photos.

  • Middle Earth

    I recently started re-reading The Silmarillion[1] by Tolkien and was reminded of how the book opens: it is a collection of stories, after all, and one of the first pieces is a long letter written by Tolkien to one of his colleagues. In it he writes describing in informal detail a great deal of in depth background and lore of the world of novels. 

    Of course, this is interesting just on its own, particularly if you are fan of the fantasy stories set in Middle Earth. 

    But from a creative point of view it is interesting for a whole other reason: the format.

    We all struggle with busy lives. The world doesn’t routinely pause for any of us to sit down and just write. Even if you had weeks of time off from a paid job to explore creatively, fitting in words and creative effort needs to be squeezed in around managing your household or cooking meals or shovelling snow. 

    As someone put it aptly on social media recently, even just sending a text message these days is a whole spell slot. 

    Tolkien may not have had a busy life in the way we think of it, certainly not in the sense of replying to emails and curating a personal brand on social media, but he was a professor and a scholar and pre-digital. 

    And I certainly can’t assume or know if he wrote such a letter that sits in the introduction of one of his lesser-famous books for any other purpose than correspondence. Yet, he certainly found an interesting way to multi-task that we still enjoy the results of decades later.

  • Digital Analog

    Flip-flopping between digital art and physical media—and often the fuzzy spots in between—is a dichotomy of form that is something quite unique to the modern world. 

    As the fidelity of our digital tools improve many (if not most) art forms have found analogs in the digital realm: words, photography, design, sound, and sculpture to name but a few. 

    I consider myself an artist, and one who has (more recently as my access to powerful computer tech has increased) often started in the digital realm before investing in the physical tools to try my hand at the so-called real version of it.

    Why buy expensive paints when I have an app on the device I already own?

    Why purchase a space-consuming musical instrument when I can noddle on my laptop with some free software?

    But I also wonder: how has being a digital-first artist affected me? What is the effect on my approach because I have not needed to overcome that initial struggle incurred by the costs and barriers of physical media? Does the creative approach from using technology suffer because the media is more forgiving, erasable, redo-able? Is the technology a crutch or a learning tool?

    I can’t redo my approach, and honestly there are forms I would never have tried without first attempting with the safety net provided by digital modes. But what was the effect of that on my skill and my mind?

  • No Dice

    Among the first question I assume you have asked (or wanted to ask) of anyone attempting to write a daily blog (like this) is where do all the ideas come from?

    It’s no easy thing to think of something reasonably new and at least a little interesting to write about every day.  I will admit that, sure, I only post five days a week, Monday to Friday, but still: that is about twenty posts per month, and at least four thousand words spread across around five entries uploaded like clockwork each weekday.

    Brainstorming is key.

    I have written in the past about going for walks with a notepad, or sitting at the window in the cafe pondering the world while I wait for the sparks of imagination to ignite.  This month I tried something new: story dice[1].

    If you are a creative writer no doubt you’ve seen these, maybe even own these. Dice with pictograms on the side that are meant to help authors come up with fictional story plots.  But here’s the thing: I have found, strangely enough, that the little icons on each face of each die is abstract enough that rolling three or four fresh cubes gives just the right boost to my imagination, primed by the topics of this blog, to spark a few solid ‘X meets Y in the context of Z’ points into my digital brainstorming notebook.

    In fact, at least a dozen of the posts you’ll likely read in April spawned out of this random rolling of inspirational fate. So I suppose then that ideas, with the right tool and mindset, can come from pretty much anywhere.

  • Sacred Flame

    People have often asked me what keeps me motivated to create?

    It never occurred to me until much later in my life that not everyone is driven by this insatiable curiosity to try to make stuff. I long took it for granted that the majority of the world just simply woke up each morning and considered their options to participate. That they looked at the myriad of activities that humanity has invented and honed over the millennia and thought what can I do with that…

    Really. 

    So, it was a bit of an existential shock to me, years ago now, to realize that some people—maybe even most people—are indifferent to such curiosity and likely could not care less if they were left alone and asked to go no further than enjoy the creative outputs of others.

    To that end I sometimes feel as if I have something of a token of humanity which I need to look after. Being one of those who not only can muster the energy and occasional skill to make interesting things, but being among the few who feel the urge to do so—well, that’s not a common thing, apparently.  There are millions of us, sure, but proportionally—it seems more rare than anyone wants to admit. 

    Maybe we can think of it as a kind of sacred flame. And if nothing else motivates me when I wake up in the morning, thinking that creating interesting things might just be my small but important role to play in the grand scheme of the universe is simultaneously a humbling and terrifying notion that brings me right back to my keyboard.