8 Clicks from Nowhere ䷀

Dispatches ⌂

Category: Part 3 – Clicking In

The creative human fits into a bigger picture spanning the gamut of society, technology and tradition. The grit of creativity sometimes means grinding through external pressures and expectations, creating against the grain of the worlds in which we live and play, and existing beyond the vacuum of self.

Chapter List

  • Creative Positive Branch · Part Three

    I continue to remind myself that, as a creative, refraining from posting positive things into social spaces not only is a kind of self-censorship but it leaves gaps that are quickly filled by negative things.

    I was more active online in the weeks leading up to the unity referendum that happened here in Alberta, Canada in October.  It was not necessarily about joining into the fray and shouting partisan slogans or reposting dubious information.  I did my share to “get out the vote” and sent numerous reminders to friends and offers of free babysitting (which no one took me up on) but mostly I just posted non-political stuff.

    I kept sending links to my running website.

    I took dozens of autumn photos and shared them everywhere.

    I fired up the frequency of my back posting from this and the other writing project I’m doing about algorithms and technology topics.

    I shared positive thoughts and whimsical aphorisms about all sorts of things that popped into my head.

    And I just tried to fill the space: not necessarily to interfere with the conversation, but because that’s my role. My job, unpaid and often thankless, is to clutter up your social media feed with the mundane. It is to drop art into your apps, pack your photo scrolling with pics from nature, and remind you that real life is bigger than political bullshit, that it continues even when the mouths of politicians stop aren’t flapping and hucksters of every stripe aren’t trying to needle a bit more power.

    Rare moments, but they exist. They need to exist. They need to continue to exist.

    Despite the evidence to contrary, life is bigger than all that.

    Art. Thought. Story. Music. Colour. Trails. Sunsets. All of it must keep going no matter what. When they stop, when we stop being creative positive, then the negative wins and what is there left worth fighting for.

  • Political Abnormal

    I need to remind myself almost every day lately that there is more to making the world a good place than overtly fighting evil.

    We live in complex political times. As I write and publish this initially in late-2026 the political landscape of my home in Western Canada is undergoing a nationalistic push to secede from the Canadian confederation. We are in the midst of a referendum… and this post is not about that, but it is about something parallel: that being someone who makes stuff, writes stories, draws pictures, and posts introspective daily essays on navel-gazing topics can feel monumentally inadequate to the moment.

    Look no further than social media. The click rate on my posts are trivial for my creative works compared to when I go online and start engaging politically. And it can feel like a kick to the chest to try to rationalize that the attention of the population is nearly entirely consumed by a tidal wave of political rhetoric and partisan conversation.

    Particularly right now it feels like the last thing anyone wants is a short story by an amateur science fiction author.

    …or some autumn photography.

    …or screenshots from a video game I’m working on.

    …or a sketch of a funky tree in the park.

    …or—hell, the list could go on forever.

    How do creative people stand up in the undertow of the ebbing and flowing tide and find a role in all this that is more than just another screaming voice.

    But like I said, there is more to making the world a good place than overtly fighting evil.

    A picture of a beautiful autumn scene, or a clip from the latest build of my indie game, or some simple sketch-work passed into someone’s social feed is not a distraction from something good, it is a diversion from the darkness. It is a reminder that among the so-called important conversation there still remains people holding a beacon light for humanity to navigate it’s way back to normality.  

  • Bad Deals

    Yet another fist-shaking post from a popular YouTuber rolled across my feed recently. 

    This prolific poster of long form video essays was incensed at the draconian policies that resulted in her two hour long video being pulled from the site over a few seconds of copyright claim. I’m not going to out the specifics of this particular influencer (a) because she doesn’t need the publicity, but also (b) because she is just yet another example in a very long line of people who have made a bad deal for exposure and traded their content agency for the publicity and the fame that comes so much easier on those platforms.

    This isn’t an anti-copyright post, but (given the evidence she presented, at least) the claim was very likely a censorial or cash-grab type effort that resulted in exactly what the claimant was looking for: shutting down a popular video. 

    I’ve seen it so frequently now, and it joins a long list of “reasons these platforms own you” screeds I could write.

    All that aside—because I really do hate to be the I-told-you-so guy—but I will be using this as yet another example of why content sovereignty is important to creatives and the lack of power that popular influencer type posters have to deal with when they use corporate social media.  

    I’ll be the first one to tell you that overseeing a private website on a private space and relying 100% on my own elbow grease to build an audience and promote my work, well, it’s not easy. 

    And yes, I am beholden to the laws of the land for what I post—of course I am. 

    But I am also far less beholden to corporate and automated or algorithmic policies to that govern and manage and oversee what goes on a platform when I own said platform. 

    It’s hard to feel sorry for any influencer who has built their entire business on the back of another business and then has to deal with the consequences of (even if you look at it even in the most benign way) working inside of another digital ecosystem—or if you look at it more insidiously, making a deal with the devil for fame and popularity. 

    Once again, my best advice on this is to maintain as much agency and control over the things you make as you can. Or at the very least, when the system fails you, take it on the chin and stop complaining to the rest of us about the imbalance of the deal you’ve made for your popularity.

    This is a cross-post from Of Poets & Processors.

  • Social Disfunction

    You know my type. 

    When I go to a social function, I’m the weird guy with the camera.

    Oh, I represent. I dance at weddings. I play games at parties. I help with the dishes at the holiday dinners. I’m not just the guy with the camera, but—yeah. I’m usually the one taking photos.

    I call it a type because like every artistic pursuit there is always a cliché. There is always a tell. There is always a secret handshake that isn’t a handshake but maybe just a really nice camera that never leaves the hand and—shake: you recognize the other weird guys from a mile away.

    Weird camera guys find other weird camera guys at social functions. We talk. We compare equipment, stories, and frustrations. 

    Because… that’s community.

    That’s the thing you want but you never recognize it until you’re driving home later that evening thinking you should have connected with that other weird camera guy on instagram or something so you could maybe turn an awkward social function conversation into something creatively productive—a collaboration, or maybe just someone to talk to about that thing you love to do.

    I know my type. I’m the weird camera guy, and these hobbies are often lonely enough without pretending that we don’t see each other.

  • Everything Ever

    The problem with unlimited access to entertainment and media is simple: in a sea of everything ever made powered by computational algorithms designed to sort it all out we mostly only see the very best of the very best.

    Some of you may disagree that what you are seeing in your feeds is “the best” but my point is not that it qualitatively perfect, rather that it has been sorted by a bunch of factors that elevate it up to the top of the incredibly huge heap of everything ever made. It served the algorithm well, so it “surfaced” more frequently.

    This isn’t a problem if you are only a consumer of these things, of course. In fact, great, you are seeing the stuff that everyone else likes. You are the beneficiary of the system working in your favour.

    This is a huge problem if you make stuff.

    Why?

    It is a huge problem because frequently seeing only the very best of the very best, the cream of the crop, the top ‘o the heap, or the GOAT of all things is a terribly easy way to demotivate oneself.

    There is a tension in the heart of every artist: comparison. 

    Am I good enough? How does what I make rank against the collection of what other people have done before me? Is this story interesting? Is my photo popping? Does that song I wrote make people want to add it to a playlist?

    Inundated by everything that ever was, filtered for interest, pop, and playability, honed by the algorithm, how could anyone just starting out on a creative journey hope to compare? 

    We can’t. At least not at first. At least not without countless hours devoted to refining the effort. And maybe the answer is to close out the comparison, acknowledge that the world is filled with shiny beautiful things, and keep making stuff.