8 Clicks from Nowhere Productions

Category: Part 3 – Clicking In

The creative human fits into a bigger picture spanning the gamut of society, technology and tradition. The grit of creativity.

Chapter List

  • Unworthy Comparisons

    Don’t ever let me hear you say what you are about to write and post and share is not worth it.

    Do let me remind you what passes for paid for media these days. I opened up my news app this morning before I wrote this and here is a selection of some of the more absurd articles I saw in my “top news” list, and again… I pay for this feed.

    There was a celebrity gossip story explaining that such and such a celebrity had posted an image of herself on Instagram. The article recapped the insta post. That was it. That was the article.

    There was a article explaining how to use a kitchen drawer, including an explanation of stacking objects inside so that they didn’t tip over or misbalance the cabinet. That’s it. That was the article.

    There was an ordered list of the best foods on the Costco menu. There are only about ten things on the Costco menu and “best” is, of course, at best a subjective measure of anything. That’s it. That was the article.

    We judge ourselves far too much and too often self-censor because we think we can’t stand up to the yardstick of social validation.

    But just write what you want to write.

    Tell the story that is important to you. 

    Don’t compare yourself to the rest of the world because often the world is often too absurd and basic—too unworthy—to bother comparing with.

  • Science Politics

    I spent four of my years of post-secondary education studying for (and receiving) a bachelors degree in biological sciences. I studied molecular biology, genetics, and a bit of ecology, cellular biology, botany, and entomology blurred into that mix. 

    I got a job doing computer stuff and never really looked back.

    But you don’t spend four intensive years studying the methods and tools of science without it changing how you look at the world. And it definitely changed how I look at the world.

    Now I find myself right here… and in this moment: we exist in this highly charged political time, a time when truth and reality are constantly being questioned. 

    One half of my very soul and identity often seem political and running against the grain of the populist movements that shape our news each day.

    I figure I could choose to reject it, go against all that I know and understand, or I can do what I’ve always done and embrace it—use it as the backbone to what I make, how I engage with the other half of my soul and identity: the creative artistic writer guy.

    Here I am.  Take it or leave it.

    Science, rational evidence-based thought, and critical thinking are part of who I am, what I make and how I engage with both sides of my personality. 

    Under the category of Science & Politics, I’ll be writing more on this topic as the months wear on.

  • People Places

    I am writing this from within the abyss of the political dark ages of the mid twenty-twenties. 

    Nationalism is in a kind of haphazard resurgence. The media is faltering. Artificial intelligence is clouding the internet with a seemingly unlimited supply of slop and misinformation.

    It is dire.

    And artists have this important role to play: continuing to make stuff despite the inanity. 

    Despite wars. Despite clashing cultures. Despite self-dealing politicians. Despite generative algorithms pumping out dead-on-arrival content.

    And to top it all of, half of the people that could read this will discount it as the words of a man sitting across on the other side of a funhouse mirror making up a reality they disagree with. We can’t even see eye to eye on that anymore.

    Culture is opinion. Opinion is truth. And truth (whatever that might be) has always shaped the stories we tell through our words, sounds, music, and art.

    I write this very blog in competition with countless algorithms that will fight to ensure it only get seen if it generates money for a shareholder somewhere, profit for a corporate bottom line, or revenue for someone who is probably not me.

    We are humans caught up in a system and we are treading water in a creative torrent that we can barely understand. The abyss is below. The sky is above—so long as we can keep our heads above the flow of society.

    Under the category of People & Places, I’ll be writing more on this topic as the months wear on.

  • Poets Processing

    Daily writing has a way of losing focus. I dive down metaphorical rabbit holes all the time, and yet I’d be the first to tell you that such things are not just okay, but a kind of magical side effect of creativity. A perk.

    As I collect topics and ideas to fill these pages I have gone down one particular hole multiple times and at times have risked turning this blog into something else entirely.

    The bad part of that is losing focus on something I care about—creative pursuits—and is not (strategically speaking) the direction in which I want to take this project.

    The good part of that diversion is I that I do in fact have the time, resources and inclination to pursue those topics in another place.

    All this is to say that as of this month I’m going to be (trying to)maintain two daily blogs—yikes!—and write on two different topics.

    Here, on “Eight Clicks from Nowhere” I will keep on track with my ramblings related to creative motivation, insights into building skills and habits to make stuff, and write about the interesting (at least to me) hobbies that clutter my life.

    Over on “on poets & processors” I am building a new site around the topic of the dehumanization of art and creativity by algorithmic competition: how AI is invading the creative spaces and simultaneously stealing work while probably, maybe, sort of creating interesting new opportunities… and what’s the deal?

    Advance warning: there may be some cross posting, but as they veer off down different paths I suspect it may turn into more of a cross-blog conversation.  Or, whatever: what do I know, I’m not a machine here.

    Check it out.

  • Uncritical Content

    At first I was casually avoid it, but lately I’ve been actively blocking and aggressively veering my personal algorithm away from it: complaint baiting. 

    Sloppy critique often starts off as sincere criticism. I imagine so, anyhow. I would like to think that many of the types of armchair film critics and technology buffs and gaming reviewers started off with a genuine interest in doing artistic criticism.

    Rightly defined criticism and critique are invaluable aspects of the feedback loop for artists and creators. One of those difficult but important skills any artist must learn is how to take critique and learn from it without crumbling under the perception of negativity.  Good critique, after all, is not anger or dismissal or ridicule: it is important information to help someone redirect their effort and improve it on the next iteration or attempt. 

    Yet, social media has become rife with what seems to be more of something I would call complaint-driven content. It disguises itself as critique, but rather than offering insight or nudging the artist in a slightly different, presumably better direction creatively… it rails. It gripes. It complains. It mocks. It leeches off the work to make something ugly of its own that was never intended to lift or improve or offer even critical support of the original.

    I have to assume there is an audience for that, and an audience means clicks and revenue.  The capital-driven feedback loop never fails in this regard.

    I also have to assume the only recourse towards weakening its grasp on society is to each do our parts in ignoring it, blocking it, and discouraging it through our lack of attention.