8 Clicks from Nowhere Productions

Category: Inspirations

  • Incompletable

    No creative setup is ever really complete, is it? But it is possible to say that milestones have been reached in aiming for an unreachable completeness, no?

    Case-in-point: I received a new piece of music equipment in the mail on Wednesday and it (so-called) completed my composition setup.

    The piece in question is a mid-range multi-track looper pedal, and it fits into my plan of making ambient background music tracks for my audio production project. It joins a list of other equipment including a recorder, mics, a preamp, an effects pedal, a synth, and about a hundred feet of various cables to connect it all together.

    And so for now my setup… it is complete.

    I can do what I want to do. Make what I want to make. Create.

    Which really means…

    It is probably not complete, of course, and in a month or a year or at some other point in the future I’ll decide that there is a gap in what I am able to accomplish with this current-state setup that will suddenly and irreversibly become less complete than what it is today.

    But for a moment, completion for the incompletable.

  • Derailed

    To say it is easy for a creative person to get derailed in the span of any given day is almost not worth saying, it is so obvious. Stephen Pressfield in his wonderful little book The War of Art, a must read for any creative soul, calls this a kind of resistance.

    Resistance is the force, says Pressfield, that keeps us from doing our work as creative people.

    Today, I found my day full of resistance, derailed and amok.

    I will spare the details of the chaos in this post, but needless to say that I ran up against a lot of external resistance in the hours when I would usually be creating something worthy of the concept.

    And yet, here I am and I have opened my laptop late into the evening to fight the resistance that swelled up over this day and to finish off the waning minutes having done at least a little of something.

    It is easy to get derailed, but it is important to find one’s way back to the tracks sooner than later. Resistance is tricky like that, always tempting you to take the easy route, go to bed having accomplished nothing, when all it takes is to resist right back.

  • Drive-by Storytelling

    My kid, who is technically an adult studying theatre and literature at University, was chatting over the weekend about story design.

    “I don’t ever know when to start a story.” She said. “Like, do you write from the beginning or jump into the action, or—”

    Look, I’m no expert but I can tell you that such things are a combination a lot of other things: two of the big ones being personal style and confidence in the reader.

    I write my stories in a way that I usually think of as drive by storytelling.

    The reader doesn’t go to the story, listen to the whole tale, then drive away when it’s finished.

    Rather, they drive by: the story is happening and they hear a piece of it as they “drive by” and then keep going while the story keeps happening in the rearview mirror. 

    To clarify, I do focus on writing the important nuggets of the tale being told and not random, meaningless chunks.

    But by working in this model I tend to write in a way that focuses my personal style on having confidence that the reader will understand enough of what happened before they got there and enough of what will continue to go on after they pass by.

  • Doodling Inspiration

    A huge part of my creative process as I work on a new novel has been sketching.

    I assume lots of authors, the kind who are also meticulous planners, make notes. I make notes, too, but I have also been using a form of visual note taking. 

    It works like this.

    I open up the next blank spread in my sketchbook, I write the chapter name somewhere central on the page, and then I start sketching out something that is a cross between a vision board and an idea chart on that page. I include sketches of characters introduced in that chapter. I sketch out objects that make appearances in the scene. I sketch the facade of the building or the stuff hanging on the walls or the grove of trees that I think I might want to mention somewhere in the story. 

    The result is that as I then go to write the chapter itself, I have not just my plan and the words that describe what I plan to write about, but I also have this rough collection of doodles and drawings that spark more connections and drive my writing forward.

    I can’t tell you how well it will ultimately work for me because it is a new thing I am trying, but so far it seems to be inking out strong inspiration every day.

  • Impossible Summit

    It’s easy to aim too high when we start a new project. It’s easy to think that anything we create should be a final, salable product to hold up to the whole world for judgement. It’s actually pretty tough to recognize that almost everything we make should start off as something just for our own selves and maybe never become more than that.

    I am just starting out on this project and I have not only accepted that every new post is not going to be a gem of enlightenment and a spark of insight. 

    I have decades of writing experience, but even so, the idea of generating something interesting to say five times a week is daunting and seems as though an endless mountain is rising in front of me.

    Yet.

    The climb is the point. 

    I may never reach that impossible summit.

    And anyone who creates needs to be okay with that idea.

    Nothing here is meant to be a final, salable product held up for judgement because most of it is just for myself, yes, shared with the world but nothing more than that.

    January 13 – Audio Version