Tag: photography skills

  • Photo Flow

    I have been on the socials preaching a little bit on the gospel according to carefree photography.

    I’ll elaborate.

    I go on the various photo sharing feeds and I follow a lot of photographers. A lot.  And after a while it all starts to look the same. Beautiful close ups of animals. Gloriously lit mountain ranges. So many photos of our downtown cityscape with one of our two iconic bridges in the foreground that I start to feel like no one will ever find a way to photograph them in an original way ever again.

    My hot take comes down to the value of skill in combination with something almost more important: flow.

    All these photographers are amazingly skilled: they can meter a scene, frame a shot, and get the balance of colour and shape and tone just perfect—and sometimes super-realistic. I applaud it. Sometimes I even envy it.

    But I also know that those folks are almost certainly leaning into gear and time and technology to find those pictures.

    My challenge has long been this: take the dumbest, most terrible camera you can find—or use your phone—and find great shots while in the flow. I run the trails and pause for literal seconds to snap interesting shots. But there countless ways to replicate this approach in your own way: snap pics in motion or in the moment. Ditch the technology. Leave the expensive gear at home. Give yourself seconds, not minutes or hours to wait out the scene: be in the moment, rather than waiting for the moment.

    That’s where the interesting stuff is. 

    Because if all these amazing photogs could bring that skill and talent to more interesting subjects, tell stories as well as presenting perfection, just imagine the amazing photography that might emerge.

  • Banger Trap

    If there was a simple and obvious way to credit the ephemeral wisdom of random video clips that pass through ones feed in the middle of an evening doom-scroll session I might write the exact coordinates when and where this particular term crossed my screen. 

    The notion of a “banger trap” pinned down something that I had been thinking about a lot lately as I scrolled through the endless posts by countless technically excellent photographers posting their best works.

    All of those pictures of perfectly lit sunsets and amazingly hued mountain scapes and perfectly focussed wildlife glamour shots were technically awesome. Amazing. Aspirational and skilled.

    And yet they made me feel almost nothing.

    I scrolled and scrolled and scrolled and my mind was on repeat saying: yup, yup, seen it, yup, lovely, yup, yup…

    They are all very skilled photographers and will likely have successful careers selling their talent and their banger content. But after seeing the same perfect photos more times than I can count and the abundance of kudos and praise? Well, it strikes me that it starts to seem like little more than a factory product, mass produced and polished.

    Instead?

    Show me something real. Show me life. Show me imperfection. Show me something I see everyday in a different way that gives me a new perspective on the mundane. Show me more than perfect.

    I get it. Showcasing our technical best work is a calling card of skill and experience, but it’s also a trap: a snare line upon which it is easy to trip and snag, that the banger is the ultimate and final stage of making great art. 

    Because I don’t think it is.