8 Clicks from Nowhere Productions

Tag: novelist

  • Resolved to Plot

    Almost two years ago now I was deep into writing a novel.

    It was not my first.

    It would not be my last.

    But yet here I sit not having finished writing it. 

    Sure, I made a plan. I sketched out the plot. And I got it about ninety percent of the way to completion, but then…?

    Then I hit a wall.

    Every morning, literally every morning, I wake up and feel guilty that I didn’t write another chapter in that novel the day before. Every morning, literally every morning, I wake up and part of me ponders if today will be the day that fact changes.

    So far, no.

    At the start of 2026 I resolved that just pining about standing in front of a metaphorical brick wall, a wall that I didn’t know how to climb over, or around or through was not the right approach either.

    Instead, I started a new novel.

    No. I haven’t quit the other one, rather I just need some more time to stare at that original brick wall and figure it out. But just staring at it wasn’t helping anything either. 

    Each day I get another day further from my last effort on that story, but it is not forgotten.

    And one day I’ll wake up, ponder if today, that day, will be the day… and I will be right.

  • Drive-by Storytelling

    My kid, who is technically an adult studying theatre and literature at University, was chatting over the weekend about story design.

    “I don’t ever know when to start a story.” She said. “Like, do you write from the beginning or jump into the action, or—”

    Look, I’m no expert but I can tell you that such things are a combination a lot of other things: two of the big ones being personal style and confidence in the reader.

    I write my stories in a way that I usually think of as drive by storytelling.

    The reader doesn’t go to the story, listen to the whole tale, then drive away when it’s finished.

    Rather, they drive by: the story is happening and they hear a piece of it as they “drive by” and then keep going while the story keeps happening in the rearview mirror. 

    To clarify, I do focus on writing the important nuggets of the tale being told and not random, meaningless chunks.

    But by working in this model I tend to write in a way that focuses my personal style on having confidence that the reader will understand enough of what happened before they got there and enough of what will continue to go on after they pass by.

  • Doodling Inspiration

    A huge part of my creative process as I work on a new novel has been sketching.

    I assume lots of authors, the kind who are also meticulous planners, make notes. I make notes, too, but I have also been using a form of visual note taking. 

    It works like this.

    I open up the next blank spread in my sketchbook, I write the chapter name somewhere central on the page, and then I start sketching out something that is a cross between a vision board and an idea chart on that page. I include sketches of characters introduced in that chapter. I sketch out objects that make appearances in the scene. I sketch the facade of the building or the stuff hanging on the walls or the grove of trees that I think I might want to mention somewhere in the story. 

    The result is that as I then go to write the chapter itself, I have not just my plan and the words that describe what I plan to write about, but I also have this rough collection of doodles and drawings that spark more connections and drive my writing forward.

    I can’t tell you how well it will ultimately work for me because it is a new thing I am trying, but so far it seems to be inking out strong inspiration every day.