Category: [14] Past & Present

Reclaiming tradition and making your own, randomness and ritual at the heart of creativity.

  • No Dice

    Among the first question I assume you have asked (or wanted to ask) of anyone attempting to write a daily blog (like this) is where do all the ideas come from?

    It’s no easy thing to think of something reasonably new and at least a little interesting to write about every day.  I will admit that, sure, I only post five days a week, Monday to Friday, but still: that is about twenty posts per month, and at least four thousand words spread across around five entries uploaded like clockwork each weekday.

    Brainstorming is key.

    I have written in the past about going for walks with a notepad, or sitting at the window in the cafe pondering the world while I wait for the sparks of imagination to ignite.  This month I tried something new: story dice[1].

    If you are a creative writer no doubt you’ve seen these, maybe even own these. Dice with pictograms on the side that are meant to help authors come up with fictional story plots.  But here’s the thing: I have found, strangely enough, that the little icons on each face of each die is abstract enough that rolling three or four fresh cubes gives just the right boost to my imagination, primed by the topics of this blog, to spark a few solid ‘X meets Y in the context of Z’ points into my digital brainstorming notebook.

    In fact, at least a dozen of the posts you’ll likely read in April spawned out of this random rolling of inspirational fate. So I suppose then that ideas, with the right tool and mindset, can come from pretty much anywhere.

  • Doodling Inspiration

    A huge part of my creative process as I work on a new novel has been sketching.

    I assume lots of authors, the kind who are also meticulous planners, make notes. I make notes, too, but I have also been using a form of visual note taking. 

    It works like this.

    I open up the next blank spread in my sketchbook, I write the chapter name somewhere central on the page, and then I start sketching out something that is a cross between a vision board and an idea chart on that page. I include sketches of characters introduced in that chapter. I sketch out objects that make appearances in the scene. I sketch the facade of the building or the stuff hanging on the walls or the grove of trees that I think I might want to mention somewhere in the story. 

    The result is that as I then go to write the chapter itself, I have not just my plan and the words that describe what I plan to write about, but I also have this rough collection of doodles and drawings that spark more connections and drive my writing forward.

    I can’t tell you how well it will ultimately work for me because it is a new thing I am trying, but so far it seems to be inking out strong inspiration every day.