8 Clicks from Nowhere Productions

Category: [10] People & Places

How culture, opinion and truth shape the stories we tell and the art we make.

Chapter List

  • Opinionated Facts

    My opinion is not fact.

    Elsewhere, I do a lot of writing about critical thinking and evidence-based inquiry. That is to say, I am curious about curiosity and the mechanisms by which we learn, know, and believe things to be true.

    If they are actually true is an entirely different matter, of course.

    I was watching a video the other day, a review for an audio product of some sort, and after a lot of “shoulds” and other such recommendations by the host he looked right into the camera, his voice changed tone, and he solemnly added the caveat to his entire product rant saying “…but my opinion is not fact, it’s just my opinion. Do your own research.”

    What a great thought.

    This concept of opinion versus fact too often, in my opinion, goes unsaid.

    A lot of us making and creating and sharing find it easier to do so without the burden of evidence or absolutes. We write something and then hang it out there for evaluation, all the while never adding that asterisk of self-checking: adding, perhaps that this is just an opinion, my opinion, and I stand by it, but you should make your own judgements after all. 

    This is my opinion, everything I write here, all the advice and so-called insight. My ideas. My thoughts. My scribbles. My notions, and all of it based in my singular experience. It’s not fact, unsaid as I often leave it to be.

    Take it for what it is worth. Nothing more, nothing less.

  • Right Wrong

    I want you to disagree with what you read or hear on this project.

    I’m not trying to write cozy aphorisms to make you comfortable in your creative pursuits. I want you to squirm a little when I tell you that your skills might not actually be as important as you think they are, that gates are not meant for keeping and that responding to market forces, meme-culture and focus groups are at best vapid and hollow, and at worse patronage to a soulless master.

    I want you to object. I want you to rethink. And then I want you to adjust your perspective a little bit even if you roll your eyes at my presumptive arrogance on the topic of your skill.

    If you take away anything from reading these posts or listening to my podcasts you should be a little irked that some random guy could have the gall to call your boardroom-style pursuit of personal brand and textbook-grade art and commercially viable chord progressions anything but magical. 

    Comfortable is complacent. 

    Clean is boring. 

    Perfection is the pursuit of the placid and flaccid.

    Following the rules is the domain of algorithms and what AIs now seem to do best. Not you, tho, do you?

    Wrong is more right than you want to admit, and I’m willing to punch you in the creative gut if it helps you realize that simple notion for even a few moments.

  • Drive-by Storytelling

    My kid, who is technically an adult studying theatre and literature at University, was chatting over the weekend about story design.

    “I don’t ever know when to start a story.” She said. “Like, do you write from the beginning or jump into the action, or—”

    Look, I’m no expert but I can tell you that such things are a combination a lot of other things: two of the big ones being personal style and confidence in the reader.

    I write my stories in a way that I usually think of as drive by storytelling.

    The reader doesn’t go to the story, listen to the whole tale, then drive away when it’s finished.

    Rather, they drive by: the story is happening and they hear a piece of it as they “drive by” and then keep going while the story keeps happening in the rearview mirror. 

    To clarify, I do focus on writing the important nuggets of the tale being told and not random, meaningless chunks.

    But by working in this model I tend to write in a way that focuses my personal style on having confidence that the reader will understand enough of what happened before they got there and enough of what will continue to go on after they pass by.