8 Clicks from Nowhere Productions

Category: Purposes

  • Just Because

    This daily public affirmation has a blog.

    Oh, so you’ve figured it out? A little more than forty-odd posts into my persistent writing of these little public missives about my creative explorations  right here every weekday and perhaps you are sitting there pondering the point of two hundred words of indulgent affirmation.

    I could justify it. I could try and convince you that there was some marketable value inherent in such a prospect, despite that most pursuers of profit have moved onto bigger platforms. I could point at the personal brand value of exploratory concepts in words and sounds and images. I could brag about some hidden big-picture strategy towards a long term personal creative goal.

    I could. I won’t. It would all be a lie.

    Why do musicians play scales?

    Why do runners log training runs?

    Why do chefs trial recipes?

    Why do dogs howl at the moonlight?

    The answer is practice. The answer is habit. The answer is instinct and drive and compulsion to create and make and share and then makes some more.  The answer is doing without expectation of audience or purpose or influence or flex. The answer is accountability to self and ideas. The answer is human and even more than that, the answer is universally personal.

  • Standards Unpracticed

    There was a realization about music that I recall having when I was younger. 

    See, when I was in my teens and twenties I listened to a lot of punk and metal from the 80s and 90s. And I remember finding it odd that most music from these genres still usually followed the rules of popular commercial music design. 

    I get it. Musical structure. Chord progression. Hundreds of years of music theory, blah, blah blah, but… think about it from the other perspective: these sounds and songs were supposed to be part of a finger-wagging, pearl-clutching anti-social revolution and a counter-culture apparently designed for angsty teens and rebellious youth to rage against the establishment.

    But simultaneously they were entrenched deeply within that same establishment by the basic rule-following and formula-driven style of the music itself. 

    There are certainly examples that don’t fit this observation, but from my viewpoint so much of it seemed to follow set standards: It was composed of phrases and verses, with lyrics, mixed into tracks of four to six minutes long that could be played on the radio. 

    All of it—in the parlance of capitalism—written, recorded and packaged to be commercially viable.

    And, sure, yeah, of course, no kidding, I get capitalism and working with the system and all that, too… but…

    …but the real rebellion it seems was making something that was not for sale, and breaking the rules and standards that guide our creativity towards the end goal of becoming just another product that needs to move in lockstep with the rules, too.

  • Ad Free

    Unless you are particularly sour to such things, you may have noticed that something is lacking on this project: Advertising.

    There are no popups. There are no paywalls. There are no subscriptions or memberships or signups. There are no requests for donations or me begging for money (and no, this is not one of them.) It is not an oversight or a bait-and-switch or a free trial until I get bigger and need revenue. 

    It’s purposeful. It’s philosophical. Probably a little privileged, sure, but it’s what I believe is right for at least some of the work I make.

    It’s not that I haven’t and don’t elsewhere dabble in trying to earn some side cash from my online projects. I’m not independently wealthy or above paying basic bills. Monetization was my mild obsession for a while, actually, to offset costs. But I can tell you the two big things that side-hustle culture doesn’t easily result in for me: cash flow and happiness.

    We have been deceived into believing that everything we make, every word we write, every note we play, every photo we take, every art we create, and every word we utter should be part of a brand, a pitch, our creative time building to some kind of passive income fever dream of pretend financial freedom.

    But it doesn’t always need to. Shouldn’t always need to.

    And I should not need to explain that. I shouldn’t need to justify creating and sharing a thing like this site for the simple joy of it. I shouldn’t need to make an excuse for giving these words out for free because it makes me happy to write them, record them, and post them.

    Making stuff for the sake of simply making it can be an important kind of intrinsic compensation, too.

  • Drifting Focus

    Not that you are counting my words, but when I set out write here on this blog project every weekday I told myself I had only one rule: keep it short and sweet.

    I was going to try not to stray beyond 200 words in any given post.

    If I couldn’t get the idea out in two hundred, maybe it wasn’t honed enough. Maybe I was babbling. Maybe it should have been something bigger than a blurb herein.

    But the problem? Every post last week was well over two hundred, the last one creeping up to nearly 300 words. 

    Is that a bad thing?

    Guardrails, even self-imposed ones can be important for the simple reason that creative restrictions often create a better product. In this particular case, volume was not my challenge. I know I can sit down any day and type-type-type out an essay-length post if I am so inclined. My challenge to myself and for the focus of this project was rather honing ideas to a sharp point, not muddling around in a big vat of chocolate-pudding-flavoured ideas.

    What are your guardrails? Do you step over them?  And does it ultimately, honestly, make the result better? Or not.

  • Ad Naseum

    I gave my Kid a bit of advice that might have helped her pass her high school English class. It went something like this: when you are writing an essay, first make your point, then make it again, and then loop back around and make it one more time.

    Saying the same thing different ways three times may or not may be some secret formula for high school essays, but it boosted her grades significantly when she started following it.

    That advice didn’t come from nowhere. 

    Saying things on repeat is how we emphasize their importance.

    Repeating the same idea over and over again gives it weight in the mind of the reader.

    Ideas ad naseum might be stylistically clunky, but making multiple passes with the point across the audience, bluntly or otherwise, makes sure that it sticks.

    I bring this up because I have been reading through my past posts on this site and trying to tiptoe around retreading old ground in new writing… but that is probably not a great idea.  

    Avoiding repeating the same idea has a big negative side effect: it assumes that I got it perfectly right the first time I wrote about it. It assumes I have nothing more to say to refine the idea. It assumes that everyone understood it on the first attempt.

    All that is to add, if something you read here seems familiar then maybe that’s on purpose.