8 Clicks from Nowhere Productions

Category: Learnings

  • Baby Steps

    I have a piece of advice that I’m writing mostly for myself here: stop thinking so big. 

    Start small.

    Start with the achievable and work your way up.

    I have been planning this novel-length audio production, writing words, making scripts, composing music, mixing sounds, and—nothing firm has been done yet.

    The big project is simply too overwhelming.

    Oh sure, I see the forest, but I can’t seem to plant the trees. It all feels like I’m jumping into a new plan, a new skill, a new concept without knowing if any of it will even work—and more importantly if something critical will fail. And the result is paralysis incarnate.  

    Something smaller has to come first.

    In my case, maybe instead of trying to make a novel, I record some audio blogs first. Then maybe after I do that, I work on making a few one-pager short stories into encapsulated one-off samples of what I’m hoping to create on a larger scale. And then, maybe something else, and something else after that, and maybe… eventually, the real thing will fall into place.

    I’m sure many great people have achieved great things in one fell swoop… but the rest of us may need to build up our stamina first.

  • Respect Yourself

    I had a recent reminder that the biggest struggle in finding your creative (and likewise, your professional) voice, more often than not is remembering to respect yourself.

    Generally it is so obvious a thing when you write it or when you read it, but often it is the least obvious thought when we find ourselves mired in a situation or relationship where respect has been compromised.

    If you are one of the lucky few who is bolstered by self-confidence and unhindered by self-doubt, congratulations. Because I would wager the bulk of us need the occasional nudging reminder that when it comes to your creative hearts and souls no one is looking out for you and your interests, your time, your experience and expertise, nor you as a human being with the same attention and care as you are.

    Respect yourself.

    Guard your talents.

    Own your schedule.

    Stand by your skills. 

    And don’t work with people who either disrespect or take advantage of any of those things for their imbalanced benefit.

    But enough whinging… now go make something.

  • Playtime

    In my efforts to learn the eclectic collection of music equipment that has arrived in tiny boxes to my front door since the new year began, I have been playing.

    Literally. Figuratively.

    Isn’t it funny how we use the word “play” to describe the art of making music and also the act of having fun undriven by goal or purpose? I have been playing in both senses, making music in my office-turned-music-studio and also having fun generating soundscapes and beats and little songs undriven by any specific timeline or objective save learning the tools themselves.

    Everyday, for at least the duration that it takes to lay down a three minute track on my recorder, I string together all the pieces with all their snaking wired connections. It usually takes me a few tries, but I get a respectable starter loop going on the looper, I lean into an effect, and I start adding layers and layers and layers. Each day I come up with something new and interesting, and each day I record it because… well, why not?

    But it is all nothing more than play. Play to learn, yes. But just play.

  • Reading Lesson

    I spent multiple hours this past weekend reading aloud.

    Call it practice.

    Call it production.

    Whatever it is, it was me attempting to create something from a skill that has never really been in my wheelhouse: reading aloud.

    Like any new-ish or re-visited skill that needs polishing, I have found that the best thing to do is just to do it… and be open to self-reflecting on the effort.

    Asking yourself: How can I make this better?

    Fighting the urge to doubt that progress is being made or to quit outright.

    I felt both, but I persevered and gave myself an impromptu reading lesson, all while building the pieces of a project that I’m excited to move incrementally forward.

  • Passable Performance

    Voice acting is never something I was ever trained to do.

    My Kid (who I’ve mentioned is a theatre student) famously jibes me because the only stage performance I have ever done was in the fourth grade where I was a winkie in an elementary production of The Wizard of Oz. I had one line, and we put on a single show.

    I have been working on a project to “dramatically read” my novel and post it as a mid-production podcast, chapter by chapter.

    Now, you say, why not get your daughter to read some of it? And you’d be right in suggesting it, but the truth is that working on this thing is as much for my own edification as it is about the final product.

    So—what is a guy who’s never acted (but who has decided to act out an entire novel) to do?

    Like anything and everything, I am a strong believer in the idea that anyone can do pretty much anything (well… maybe not perfectly, but certainly passably) with practice, practice, practice. Wy shouldn’t dramatic reading of a novel be any different?

    To that end I’ve been practicing. I’ve read the first chapter of my novel into a microphone at least twenty times now, and each time I seem to find a tiny way to make it a little more interesting, bring a bit more depth to my performance, and kinda do something I was never ever trained to do.