8 Clicks from Nowhere Productions

Category: Inspirations

  • Respect Yourself

    I had a recent reminder that the biggest struggle in finding your creative (and likewise, your professional) voice, more often than not is remembering to respect yourself.

    Generally it is so obvious a thing when you write it or when you read it, but often it is the least obvious thought when we find ourselves mired in a situation or relationship where respect has been compromised.

    If you are one of the lucky few who is bolstered by self-confidence and unhindered by self-doubt, congratulations. Because I would wager the bulk of us need the occasional nudging reminder that when it comes to your creative hearts and souls no one is looking out for you and your interests, your time, your experience and expertise, nor you as a human being with the same attention and care as you are.

    Respect yourself.

    Guard your talents.

    Own your schedule.

    Stand by your skills. 

    And don’t work with people who either disrespect or take advantage of any of those things for their imbalanced benefit.

    But enough whinging… now go make something.

  • Incompletable

    No creative setup is ever really complete, is it? But it is possible to say that milestones have been reached in aiming for an unreachable completeness, no?

    Case-in-point: I received a new piece of music equipment in the mail on Wednesday and it (so-called) completed my composition setup.

    The piece in question is a mid-range multi-track looper pedal, and it fits into my plan of making ambient background music tracks for my audio production project. It joins a list of other equipment including a recorder, mics, a preamp, an effects pedal, a synth, and about a hundred feet of various cables to connect it all together.

    And so for now my setup… it is complete.

    I can do what I want to do. Make what I want to make. Create.

    Which really means…

    It is probably not complete, of course, and in a month or a year or at some other point in the future I’ll decide that there is a gap in what I am able to accomplish with this current-state setup that will suddenly and irreversibly become less complete than what it is today.

    But for a moment, completion for the incompletable seems just so. I relish it, but know that incompletion will drive me to something else equally interesting, too.

  • Derailed

    To say it is easy for a creative person to get derailed in the span of any given day is almost not worth saying, it is so obvious. Stephen Pressfield in his wonderful little book The War of Art, a must read for any creative soul, calls this a kind of resistance.

    Resistance is the force, says Pressfield, that keeps us from doing our work as creative people.

    Today, I found my day full of resistance, derailed and amok.

    I will spare the details of the chaos in this post, but needless to say that I ran up against a lot of external resistance in the hours when I would usually be creating something worthy of the concept.

    And yet, here I am and I have opened my laptop late into the evening to fight the resistance that swelled up over this day and to finish off the waning minutes having done at least a little of something.

    It is easy to get derailed, but it is important to find one’s way back to the tracks sooner than later. Resistance is tricky like that, always tempting you to take the easy route, go to bed having accomplished nothing, when all it takes is to resist right back.

  • Drive-by Storytelling

    My kid, who is technically an adult studying theatre and literature at University, was chatting over the weekend about story design.

    “I don’t ever know when to start a story.” She said. “Like, do you write from the beginning or jump into the action, or—”

    Look, I’m no expert but I can tell you that such things are a combination a lot of other things: two of the big ones being personal style and confidence in the reader.

    I write my stories in a way that I usually think of as drive by storytelling.

    The reader doesn’t go to the story, listen to the whole tale, then drive away when it’s finished.

    Rather, they drive by: the story is happening and they hear a piece of it as they “drive by” and then keep going while the story keeps happening in the rearview mirror. 

    To clarify, I do focus on writing the important nuggets of the tale being told and not random, meaningless chunks.

    But by working in this model I tend to write in a way that focuses my personal style on having confidence that the reader will understand enough of what happened before they got there and enough of what will continue to go on after they pass by.

  • Doodling Inspiration

    A huge part of my creative process as I work on a new novel has been sketching.

    I assume lots of authors, the kind who are also meticulous planners, make notes. I make notes, too, but I have also been using a form of visual note taking. 

    It works like this.

    I open up the next blank spread in my sketchbook, I write the chapter name somewhere central on the page, and then I start sketching out something that is a cross between a vision board and an idea chart on that page. I include sketches of characters introduced in that chapter. I sketch out objects that make appearances in the scene. I sketch the facade of the building or the stuff hanging on the walls or the grove of trees that I think I might want to mention somewhere in the story. 

    The result is that as I then go to write the chapter itself, I have not just my plan and the words that describe what I plan to write about, but I also have this rough collection of doodles and drawings that spark more connections and drive my writing forward.

    I can’t tell you how well it will ultimately work for me because it is a new thing I am trying, but so far it seems to be inking out strong inspiration every day.