8 Clicks from Nowhere Productions

A
BLOG
FROM
NOWHERE

  • Creative Positive, two

    (Continued from Creative Positive)

    I need to routinely remind myself that every time I don’t post something positive in my feed it leaves a gap for something negative to slip in and take up the space I left for it.

    The darkness is insidious. It is sweet like raw sugar upon the tongue, lighting up our emotions with an ability to draw us in and feast upon our time and energy.

    You may be reading these words—all of them, the blog and every post and every image and all the adjacent works of public performative creativity that goes on around it—and pondering the purpose. 

    I have a hundred reasons to write and create and sketch and make and build and do interesting things. But I have a very short list of reasons to share: it is, yes, about money and brand and fame, of course it is, it always is—but it is also about balance. It’s about holding my little patch of digital ground against the darkness. 

    It is about creating human-made ideas and sharing them into the ocean of slop.

    It is about being a net-positive in an electronic sea of rage.

    It is about finding the good of the world and launching it back into the universe for something bigger than myself.

    So long as I have hope that the world still needs something bigger and brighter than the dim shadows of this societal chasm we seem to be traversing I will get up each morning and try my best to find something positive to make …and share.

  • Post Haste

    I’m going to let you peek behind the curtain for a moment and remind you that sometimes creativity is smoke and mirrors, too.

    Truth is, I write these words weeks in advance of you reading them.

    Writing a daily blog is not always just about the dedicated day-after-day work of coming up with new ideas and then sitting down at a keyboard. Rather, sometimes it’s about working smarter and planning ahead. Sometimes it’s about organization and staging and schedules. Sometimes it’s a business plan.

    You want a life skill? You want to be better at a desk job? You want to get into a corporate strategic mindset? You want to learn how to get stuff done on a schedule? Oh, you can read about it in a textbook or download a course on business planning. 

    But might I suggest that you try instead a big creative project.

    Make a weekly web comic that demands you create on a schedule and manage a website.

    Join a band and try to release a demo that involves scheduling, promotion and technical skills.

    Write a novel that insists on long term strategic planning and holding big scope ideas in your head.

    I write these posts sometimes weeks in advance and try to keep between five and ten in my publication queue. Not only does that save me from rushing to write something on topic on every busy morning, but it gives me time to edit and hone and shuffle and plan out how I am making this site.

    It’s strategy. It’s planning. It’s bigger.

    And it’s more than creativity: it’s resume fodder, too.

  • Banger Trap

    If there was a simple and obvious way to credit the ephemeral wisdom of random video clips that pass through ones feed in the middle of an evening doom-scroll session I might write the exact coordinates when and where this particular term crossed my screen. 

    The notion of a “banger trap” pinned down something that I had been thinking about a lot lately as I scrolled through the endless posts by countless technically excellent photographers posting their best works.

    All of those pictures of perfectly lit sunsets and amazingly hued mountain scapes and perfectly focussed wildlife glamour shots were technically awesome. Amazing. Aspirational and skilled.

    And yet they made me feel almost nothing.

    I scrolled and scrolled and scrolled and my mind was on repeat saying: yup, yup, seen it, yup, lovely, yup, yup…

    They are all very skilled photographers and will likely have successful careers selling their talent and their banger content. But after seeing the same perfect photos more times than I can count and the abundance of kudos and praise? Well, it strikes me that it starts to seem like little more than a factory product, mass produced and polished.

    Instead?

    Show me something real. Show me life. Show me imperfection. Show me something I see everyday in a different way that gives me a new perspective on the mundane. Show me more than perfect.

    I get it. Showcasing our technical best work is a calling card of skill and experience, but it’s also a trap: a snare line upon which it is easy to trip and snag, that the banger is the ultimate and final stage of making great art. 

    Because I don’t think it is.

  • Knots Blocks

    How does one go about unlearning what society probably taught us about talent?

    I know from personal experience that almost everything I believe about what it means to be good at something is wrapped up in an expectation from an audience: an employer, a customer, a friend, or even a parent (reaching right back to the beginning.)

    As I write this blog and parse out the various topics I want to explore I realize that I have already written a lot about those very expectations and how to first recognize them and then later prioritize how much heed they should be offered.

    Even as I was sitting down to write this I had just come off a few moments of drinking some tea and scrolling through my social media feed. My favourite feed these days is a collection of photographers promoting their work. And yet noting just how rigid the conformity is within the confines of that feed has been nagging at something in my mind. Every post is some glamorously lit epic nature scene or a broody black and white bit of urban street photography or a smiling family squared into the frame with a rustic backdrop to set the mood. Kudos abounded for those posts because, yes, they were solid works of technical skill—but also, maybe, perhaps because they fit into a mold of social expectation and consumer value. 

    Are those guideposts for other to follow? Or is there something mundane lurking in aligning creative outputs with social expectations? 

    Under the category of Knots & Blocks, I’lll be writing more on this topic as the months wear on.

  • Fifty Walks

    As I write these posts and use this blog as a weekday creativity exercise I am approaching fifty.

    (Don’t ask me! I don’t know how that happened either. I certainly don’t feel so old.)

    Many of my running friends mark milestones in age with a race distance to match. For me that would me running a fifty kilometre race before I roll over the odometer on my age. It is not necessarily impossible, but as I have informally stepped away from such long races (a post for another blog) it does not seem a good fit. 

    Instead, I have opted to celebrate and commemorate by trying to do fifty walks before I turn fifty.

    Loosely structured, those walks will follow a couple rules: they must be of a certain distance, need to contain something I would consider “exploration” and also they should present me with an opportunity to create. What this will almost always and usually mean is that I will be walking a photo expedition.

    I used to do these photo expeditions, as I called them, quite frequently: camera charged and ready, I would just go out into the suburban wilderness near where I live and snap hundreds of photos. No rules. No restrictions. No checklist. No forcing myself into boxes. Just taking photos for the sheer joy of exploring the craft.

    Some of my best pictures and much of my best learning happened when the only goal was fresh air and having an open mind to opportunity.

    Maybe what I’m really hoping to achieve with rekindling my long walks this summer isn’t so much about the walks but finding fifty opportunities to take photos.