Slow Down

by BRAD SALOMONS

What I needed most was practice reading at a practiced pace suitable for storytelling.


I spent nearly three hours this morning working on recording audio for my project and the end result of all that work is what probably amounts to only about three minutes of usable audio.

Let me back up.

I am working on a new novel, and a side-project part of that effort has me attempting to translate it from the written word stuck inside a word processor on my computer into an audiobook-style production with some bespoke tunes and sound effects.

I have a solid microphone setup with a pre-amp, hardware digital recorder, digital synths, effects pedals and wires going in twelve different directions.

But it turns out after all the work I did to write a story and set up a technology jungle to set my voice into sound waves in file on my hard drive, what I needed most was practice reading at a practiced pace suitable for storytelling.

Who would have thought, huh?

When I figured out how to read slowly, enunciating each word, the results were oh so much better.

Terms FROm this POSt

synth
Often mistaken for a piano, especially in my house where my spouse reminds me that we already have two pianos and I don’t need a third, synths are electronic sound engines that shape primitive audio waveforms through a various processes either analog or digital for which the result is a unique pitched “note” often “discovered” by the artist, and a form of musical instrument that has become the basis of many modern forms of music.

Brad Salomons is a time traveller and intergalactic secret agent for hire. He writes blogs about technology, creativity and life between gigs.

Slow Down