Just Sounds

by BRAD SALOMONS

In my rollercoaster relationship with corporate social media I have gone through a variety of phases, one big one being the tipping point of frustration that caused me to start building my own version of Instagram.

That bit of code was never meant for the big time, but rather simply as a place where I could post a gallery of photos without being beholden to algorithms, account signups, and cloudy terms and conditions that gave up permission for my pictures to mega-corporations.

The thing about making your own software, though, is that you can add features in that no other platform might attempt to include.  For me, one of those quirky features is the ability to post a sound recording and attach it to any post.

The feature was nothing too complex: simply the ability to upload a few seconds or a minute of sound to a post and have it appear right there between the text and the image. 

I actually set it up so that the quick button on my phone is now used to trigger the voice recorder, so if I find that I’m taking photos and the ambient noise is interesting I’ll click that button next, grab a minute of sound, and then add it to the post.

The result is that more and more, as much as I’m out snapping pictures, I find I am also clipping sounds from the world around me—and then uploading those clips to my little “gram” site. 

It makes the little photo archive I’ve created a bit richer and bit more multi-sensory, and scrolling back through my own history of posts a curious and enjoyable sensory experience that is greater than the sum of its parts, even from just sounds.

Terms FROm this POSt

algorithm
The modern internet in all its forms is far too large for people to fully manage anymore without the help of automated systems. Any time an unseen calculation weighing our public profiles against what an app, website, or service chooses to show us, one of these automated systems is at work behind the scenes recommending product, ideas, politics, and friends. The invisible hand of fate has turned into a digital calculation so big we can’t understand it, and so complex it is often hauntingly accurate. If you are not afraid of the algorithm and what it has done to our society, you are probably not paying enough attention.
corporate
Having worked in many desk jobs, I tend to think of the corporate mindset and anything related to it as a kind of collective brain of capitalism and the search for profit. It is a core piece of the culture, but personally I’ve found it to be the antithesis of creative spirit, and often use the word as a pejorative in this sense.
social media
You almost certainly found this post because it was posted on someone’s feed. The platforms are terrible, but as it stands they are about the only way to find an audience in this crazy version of the internet. I avoid the socials when I can, but to ignore their existence is to toil forever in obscurity.

Brad Salomons is a time traveller and intergalactic secret agent for hire. He writes extensively about technology, creativity and life between gigs.

Just Sounds