8 Clicks from Nowhere ䷀

Dispatches ⌂

Tag: writing

Chapter List

  • Drifting Focus

    Not that you are counting my words, but when I set out write here on this blog project every weekday I told myself I had only one rule: keep it short and sweet.

    I was going to try not to stray beyond 200 words in any given post.

    If I couldn’t get the idea out in two hundred, maybe it wasn’t honed enough. Maybe I was babbling. Maybe it should have been something bigger than a blurb herein.

    But the problem? Every post last week was well over two hundred, the last one creeping up to nearly 300 words. 

    Is that a bad thing?

    Guardrails, even self-imposed ones can be important for the simple reason that creative restrictions often create a better product. In this particular case, volume was not my challenge. I know I can sit down any day and type-type-type out an essay-length post if I am so inclined. My challenge to myself and for the focus of this project was rather honing ideas to a sharp point, not muddling around in a big vat of chocolate-pudding-flavoured ideas.

    What are your guardrails? Do you step over them?  And does it ultimately, honestly, make the result better? Or not.

  • Plotting Resolved

    Almost two years ago now I was deep into writing a novel.

    It was not my first.

    It would not be my last.

    But yet here I sit not having finished writing it. 

    Sure, I made a plan. I sketched out the plot. And I got it about ninety percent of the way to completion, but then…?

    Then I hit a wall.

    Every morning, literally every morning, I wake up and feel guilty that I didn’t write another chapter in that novel the day before. Every morning, literally every morning, I wake up and part of me ponders if today will be the day that fact changes.

    So far, no.

    At the start of 2026 I resolved that just pining about standing in front of a metaphorical brick wall, a wall that I didn’t know how to climb over, or around or through was not the right approach either.

    Instead, I started a new novel.

    No. I haven’t quit the other one, rather I just need some more time to stare at that original brick wall and figure it out. But just staring at it wasn’t helping anything either. 

    Each day I get another day further from my last effort on that story, but it is not forgotten.

    And one day I’ll wake up, ponder if today, that day, will be the day… and I will be right.

  • Smouldering Plots

    It’s difficult to start a story, and it’s difficult to end a story… but somehow worse than both of those parts there is a hump I have found that occurs somewhere in the middle.

    I have been writing a new novel and I am at the point where I need to move from the start, the inciting action where all the characters are introduced and dive into the middle, the guts of the story where all the action and the bulk of the story is going to happen.

    I did all this work on planning out a plot.

    I did all this work creating characters.

    I did all this work lighting the fire to make it all start.

    And whilst I did think a lot about how the flames were meant to keep smouldering for the next couple hundred pages of real story, getting over that hump between the start and the middle, and putting it down into actual words on an actual page is turning out to be a bigger chore than I anticipated.

    If you have been reading my meandering thoughts you know that I generally keep smouldering. I just push through and write my five hundred words each day, and (practically speaking) that’s how it goes down.

    But the effort, the mental churn, the fight to keep going is different now that I’ve moved into middle where the real plot and real works takes more than just a big idea.

  • Drive-by Storytelling

    My kid, who is technically an adult studying theatre and literature at University, was chatting over the weekend about story design.

    “I don’t ever know when to start a story.” She said. “Like, do you write from the beginning or jump into the action, or—”

    Look, I’m no expert but I can tell you that such things are a combination a lot of other things: two of the big ones being personal style and confidence in the reader.

    I write my stories in a way that I usually think of as drive by storytelling.

    The reader doesn’t go to the story, listen to the whole tale, then drive away when it’s finished.

    Rather, they drive by: the story is happening and they hear a piece of it as they “drive by” and then keep going while the story keeps happening in the rearview mirror. 

    To clarify, I do focus on writing the important nuggets of the tale being told and not random, meaningless chunks.

    But by working in this model I tend to write in a way that focuses my personal style on having confidence that the reader will understand enough of what happened before they got there and enough of what will continue to go on after they pass by.