8 Clicks from Nowhere Productions ䷀

Tag: synthesizer

Chapter List

  • Summer Showing

    I was back at it in the park recently, sitting cross-legged on a blanket under a tree, far from the path and people, with my synth propped up on a portable camp table, still trying to find a summery sound.

    Thanks to a new addition to my gear collection I was no longer playing with headphones, but rather I had propped up my small speaker amp nearby, set it to a reasonable volume, and was filling the local air with a bit of my chaotic noodling.

    It was not intended to be a performance.

    The reality of being outdoors in a park making art, taking photos, or playing music is that it is public. Eyes will connect. Heads will turn.

    We travelled to Europe a few years ago and did a lot of plein air sketching in very public places and it’s a whole other thing, let me tell you, to sit near a few thousands of wandering tourists and do your craft.

    Back in my little park a man on bike with his dog stopped to look, eyes connected, head turned. He stood in the grass a respectful distance away as if he expected me to crack out a banger and was getting ready for the show. I tapped out the first few bars of a Bach Prelude I had been practicing earlier that week and which was still stuck in my fingertips.

    He lingered for another couple minutes then cycled away.

  • Summer Synth

    What does summer sound like?

    Oh sure, it seems obvious—ice cream trucks, and birds chirping in the trees, Vivaldi symphonies and sunshine bouncing off the asphalt—but I was sitting in the park recently and I had brought along my synth.

    Remember my synth? About a year and a half ago I bought an Arturia Microfreak digital synthesizer (not a sponsored mention, by the way) which at about the size of a laptop computer has twenty-five solid state keys and about thirty knobs & buttons for tweaking and tuning the sound envelope. It is not a keyboard or a piano, but rather a proper (albeit budget) synthesizer with powerful shaping tools, a matrix-based sound design engine, an LFO, arpeggiator, sequencer and—oh, the list goes on. It’s also pretty portable, so I can pop it in a backpack with a battery pack and some headphones and—yeah—go sit in the park and play music.

    I have about four hundred patches loaded into the memory banks, presets for interesting sound patterns and pads and leads and bass effects and even all variety of cosmic sound effects.

    I thought it would be easy to find a summery sound.

    Because I was, as mentioned, sitting there in the park with my synth and my headphones and making music for no one but myself and I wanted a summery vibe.

    Synths, and perhaps this was merely a factor of my synth and how I had it configured, seem very wintery: echoey and airy wisps of noise, hulking bass tones, crackling shivers, and creaking sine waves. I tuned through my options, scrolling the knob and seeking something with mood that matched the sun and the grass and the mosquitos flitting about in the same and I struggled. 

    A tinkling piano sound, a ringing lead that evoked a steel drum, or the croaking higher octaves of a patch named after a frog—I was close.

    Summer was all around, but I couldn’t put my finger on something that fit. What does summer sound like, after all?