8 Clicks from Nowhere Productions

Tag: creative explorations

Chapter List

  • Routine Reminder

    Make something.

    Just make the damn thing and post it.

    Share it.

    Push it out into the universe.

    Will people judge it, love it, hate it, mock it, share it? With they laugh, cry, ignore, overlook, steal, copy, complain, and all too often respond in a hundred other unpredictable ways? Yeah. Of course they will. Heck, humans are messy and there is always someone out there who will make you question your very participation, let alone the product itself.

    But look what is out there already. Everything! Unabashedly shared, no matter the quality or purpose. And worse:

    Are influencers asking your permission to post to your feeds?

    Are politicians asking for your blessing to push propaganda?

    Are companies asking if its okay if they inundate you with advertising?

    Of course not! No one else is asking, are they? They are making and flooding and just filling every space with their products.

    Meanwhile, you are sitting there wondering if you are good enough, or if that thing that you put your whole soul into will be well-received—or if maybe you will just be laughed at by some random loser in his mom’s basement (who by the way, mocks and laughs at everything because he is incapable of making anything but mockery). 

    So make something. Make it great. Make it how you want. Just make and share and participate in this great creative experiment, and maybe we’ll collectively overwhelm the world with beauty and hope and curiosity instead of all those other things.

  • Wet Sounds

    Recent forays into musical experimentation with various electronic devices, in particular a synth, has taught me a new concept: wet and dry sounds.

    As I understand it, and simply, dry sounds are raw, clean and unprocessed audio coming directly from an instrument while wet sounds are sounds that have been enhanced with reverbs, echos, delays and other effects. The latter is usually achieved by the use of a guitar pedal or another pass-through devices that are controlled by a musician for deliberately altering, distorting and otherwise enhancing the source audio.

    I bought a little low-budget synthesizer about a year ago and have had some enormous creative fun learning to first play it and more recently how to make music with the device.  But dipping into a world of music that I had little previous experience—at least as a creator—meant that I often found I was edging up against creative barriers that I didn’t know how to understand or articulate.

    Case in point: wet versus dry sounds.

    My synth is dry. And I have since ordered a pass-through device, a pedal, that allows me to add some of those wet features that I have been missing.

    My point: sometimes creating with what we know and what we have until such time as we reach a point when we notice the gaps is the best way to discover new concepts.