DispatCHes
FROM
NOWHERE

  • Write Always

    Don’t stop.

    You want to be better at anything? Keep plugging away and don’t ever stop practicing, and that goes doubly so for writing. Why? It just does—filled as it is with nuance and expectation and alive right there in the heart of everything we do, say, hear, and make.

    Writers write.

    They just do. And you are almost certainly only a writer when you are writing: actively penning words onto the page, typing characters into a keyboard or brewing the thoughts in your brain for your next opportunity to do more writing. 

    Writing can be messy. It can be scattered. It can be long or short, formal or stylistically chaotic. Writing can be words strung together in a notepad app, or traced with a lusciously thick felt-tipped marker on a wall. Writing can be private scribbles in a journal or annoying daily posts in a public website launched into the universe with no clear destination or audience.

    Whatever it ultimately becomes, the writing itself is an action. To write is a verb. 

    Writing is the act of filling the gaps between words. Writing is temporary and temporal. 

    And you need to write always. Why?  If you need to ask then you are not one of us.

    Because writers write.

  • Pomp Popularity

    I always have an eye open for interesting unpolished creative stones when I’m wading through the streams of my social feeds.

    There is an urgency in many of us who make stuff to fit in. We work towards a certain grade of production quality. We make to fit into a mould of commercial viability. We try to stand out in a crowded field by following the so-called rules.

    It’s all so much water rushing past our feet.

    It’s the stranger things that capture my attention, the jagged, colourful rock stuck mostly in the muck of the riverbed, just poking out and catching the light in an interesting way, that snags my eye.

    I have explored this theme routinely on this blog. There is a gentle conflict between the pursuit of high quality products that build one’s portfolio, represent one’s best work, and meet a threshold of acceptable value—and on the other side, transcend formula, represent something new and interesting, and break the mould.

    In the middle is a tension in the heart of many artists of any field. To ignore the rules completely is to be overlooked for failing to meet expectations, but then to become little more than a photocopier for ideas of others before us is to be shrugged off as uninteresting.

    We all want to be a polished stone. But someone needs to pluck us out of the river of obscurity before that happens. 

    Under the category of Pomp & Popularity I’ll be writing more on this topic as the months wear on.

  • Rolling Randomness

    Back before AI could gurgle out a list of spit-polished ideas replete with some sycophantic grovelling towards our imminent greatness, I was in love with random idea generators.

    Don’t confuse one with the other.

    AI makes ideas by stringing together patterns that make sense.

    Idea generators are the Frankenstein-esque cobbling together of digital randomizers and curious arrays of word-bytes that when triggered result in a mad-lib-style shuffling of the input data towards an often nonsensical list of results. There is no intention. Only chance.

    “Write A ROMANTIC DRAMA about A FISH set in HISTORICAL ROME.”

    “Write A SCIENCE FANTASY about A BARISTA set in A SANATORIUM.”

    “Write AN EPIC POEM about LOST KEYS set in A FAST FOOD KITCHEN.”

    I wrote my fair share of these generators.  The code behind them was simple: a couple data arrays chock full of verbs and nouns and settings and styles, a random number generator, and some user interface bits. It was all coding spare change compared to the corporate-billion budgets of modern AI systems that barf out polished gems of inspiration that could never match the lightweight brilliance of a digital dice roll.

    Creativity, I think, often emerges from serendipity. Something amazing and unique can tumble out of our brains when we trigger those brains with curious nonsense.

    I have asked AI for ideas, nudged it to brainstorm, and it comes back with clever concepts, sure. But none of it stacks as a trigger for the weirdest flights of my imagination compared to the raw random indulgence of a simple idea generator.

    I think maybe the more we extract ourselves, remove our humanity, from the process the more boring the final result—and rolling dice, digital or otherwise, is just random enough to preserve our involvement in the loop.


    Try my randomizer:

    When a local politician finds a encrypted nebular shadow in the construction site, they realize nebular shadow itself might be broken, but the map leads back to their own front door.

  • Every Day

    Routinely, I drop myself headfirst into a daily challenge.

    There is an art to it.

    There is a goal embedded within.

    There is a entrenched motivation.

    Why? Well…

    As an example, imagine you want to be better at drawing hands. Hands are notoriously difficult to sketch. They are both familiar and complex. They are easy to draw poorly. So, what you opt to do is practice every day: each day, you tell yourself, you will draw hands. They will never be the same hands. The hands will be drawn from different perspectives in different poses and perhaps even in different media or styles.  But you will draw at least one hand every single day. Period.

    You’ve just crafted a simple daily challenge for yourself.

    No spreadsheets. No written reports. No accountability to anyone but yourself. You simply know that sometime each day you need to set aside a small chunk of time to sketch hands.

    And you’ll do this challenge for a month. Or maybe two months. Or, if you’re incredibly dedicated to learning to draw hands, you’ll challenge yourself for a whole year.

    At the end of the challenge what do you think the result will be? Yeah, you’ll be happy to take a few days off from drawing hands, but I can almost guarantee that the daily practice, the grind, the iterative epic learning will have improved your skills by a measurable amount.

    Challenge yourself to do something every day.  And then give yourself a hand.

  • Start Writing

    At the heart of this blog, the core of this little creative project I’ve been working on here, there is but a single message burning with the inner heat that drives the whole damn thing: it is one piece of advice. Start writing.

    Oh, I get it. You don’t have the passion or the time or the urge or the patience. 

    That device in your hands is so great at capturing your attention and entertaining you with the ideas and thoughts of other people—or maybe now I should include algorithms and slop—that you can’t be bothered to use it to make something.

    But writing is at the core of creativity. It is the uber-skill that shapes and refines all the others. 

    Writing is the materialization of thoughts—reflective and critical, personal and communicative, coherent and scattered—upon the page.

    Writing makes you better at evaluating yourself and whatever you do. 

    Writing closes the loop and fills the gap and bridges the points of something you cannot articulate is missing in your soul until you start writing.

    It’s not difficult.

    Open any app that takes text: your notes, your word-processor, hell, write yourself an email… but write something. And then write some more. And keep writing after that. It will improve you in ways you cannot fathom until you’ve written enough to see it for yourself.