Short Fiction

by BRAD SALOMONS

It often leans more into exploring an idea than it does exploring a fleshed out character.


I’ve always had a space in my heart for short fiction.

Short story is a form that is often under appreciated, and I would chalk this up to a couple strange reasons.

First, I think it’s a value proposition. I figure it probably costs about the same amount to publish, ship, and market a twenty page book—something that will take a customer a lunch-break to read—as it does a five hundred page novel. Thus, they cost the same at the store. We get around this by publishing anthologies, but I think the whole equation often breaks down for people standing in a bookstore: buying a bunch of small stories glued together in one paperback, or a whole novel—most people, I wager, pick the novel.

Second, the mental investment. We do like strong characters and getting to know imaginary people through the course of a five hundred page-long story. Ideas are important, too, but my experience with short story is that it often leans more into exploring an idea than it does exploring a fleshed out character—that’s the realm of novels with the space to do that well. It’s not impossible in a short story, but I think you can only create so much personality out of ten thousand words. People like people, so I think we tend to gravitate towards novels about people over stories about ideas.

Just my speculation.

In the coming months I want to write more short fiction, I think, filling that gap in my heart with explorations of big ideas and crazy concepts. 

I fully expect it to be under appreciated.

Terms FROm this POSt

short story
Usually averaging about five thousand to ten thousand words, a work of short fiction is an exploration of a big self-contained idea in a small space, leaning into clear and intentional writing with an eye for literary economy.
value
I use this word a lot on this site but I’m not always referring to cash money. There are many ways to find value in something: emotional, nostalgia, spiritual, environmental, social, and countless other personally meaningful ways. I do find the assumption that everything always comes down to coins in the pocket, but that might just be being disappointed with spending fifty years watching the capitalism struggle to deliver on anything meaningfully human.

Brad Salomons is a time traveller and intergalactic secret agent for hire. He writes blogs about technology, creativity and life between gigs.

Short Fiction

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